In the course of our class’s discussions on apocalypse we have altered our understanding of the semantics of the word.   We initially viewed in a more nihilistic sense, a time of endings and destruction.  Now we have moved towards the root of apocalypse, the Greek word apocalypsis.   Apocalypsis is not synonymous with the modern definition of apocalypse but rather a revelation or unveiling.   I find this to be a far more interesting definition of apocalypse as it allows for far deeper analysis into the “Human condition.”   By the Human condition I mean the fundamental aspects that differentiate an individual capable of both emotions and rational thought. 

We have progressed into Neil Gaiman’s third collection of graphic novels centered on the character of the Sandman more frequently referred to as Dream within the novels.   Within this collection of stories we see the emergence of “humanity” within Dream. 
In “Calliope”, the first story within the collection Dream Country, we have a chance to observe Dream showing his newfound humanity in his wrath towards Richard Madoc at his cruelty towards the muse Calliope.  Dream does not act as a keeper of justice when he brings his wrath upon Madoc.  His actions come from emotion, not rationality which distinguishes him from some concepts of superior beings or deities.   As one of the Endless he is eternal, but for his vast span of existence he is revealed to have developed human characteristics such as wrath, empathy (to a seemingly limited extent), and loneliness.

In “A Dream of a Thousand Cats” we are treated to a different form of apocalypsis that serves more than one individual.   Within this story Dream takes on the role of the prophet or soothsayer in regards to the story.   Dream in the guise of a cat reveals to a feline that seeks his guidance in finding justice and revelation.  Dream grants this to her and she returns to the world to spread her revelation amongst all the cats of the world.

In Gaiman’s story entitled “A Midsummer Night’s Dream” which features the play of William Shakespeare of the same name shows yet another form of apocalypsis that I find intriguing.  It is not so much a revelation or unveiling it is the closing of the door.   The exit of the Faerie folk from the world is this strange closure of an era that I am unable to describe easily.  I guess I must use the analogy of a play, the Faerie folk’s role in the story of this world is over and the curtain closes as they exit.  Yet despite their absence the show goes on.

Last of the stories in Dream Country is “Façade.”  To me this story focuses on the role of Death as a benevolent character, and differentiating death and oblivion within Gaiman’s stories.   The subject of perception and the uncovering of layers that mask reality is also incorporated, this presents an interesting discussion point because revelation seems to be synonymous with an alteration of perceptions.  
But I am drawn in by the words spoken by the character Death.  “When the first living thing existed I was there waiting.   When the last living thing dies my job will be finished.”   I’ll put the chairs on the tables, turn out the lights and lock the universe behind me when I leave.”   This is the manner in which Death explains her role in the universe, not as a destroyer but as a necessity of existence.   She states she is not merciful but then she shows mercy on Raine helping her to end her torment through death, which in Death’s view is just pulling aside the curtain and stepping into a new existence.